FROM DOCUMENTS TO DESIGN: The Story Behind a Major New Fabric Collection from Lemieux et Cie

FROM DOCUMENTS TO DESIGN: The Story Behind a Major New Fabric Collection from Lemieux et Cie

An Interview with Designer Christiane Lemieux and Hannah Harvey,
Creative Director of Richloom’s Decorative Fabric Division

Lemieux et Cie Fabric Collection

Calico just launched a rich collection of 83 fabrics from talented textile artist Christiane Lemieux, who worked closely with Hannah Harvey, Creative Director of Richloom’s Decorative Fabric Division. Recently, Christiane and Hannah talked with Calico’s Jan Jessup about this collection, how it evolved, and what makes it so distinctive:

Q: Richloom doesn’t work with many outside designers. What led you to collaborate on the Lemieux et Cie collection?

Christiane: Some years ago, Hannah and I worked together on my first venture, the Dwell Studio line. It was a fluid process, as we speak the same visual language—which was helpful!

Hannah: There aren’t many licensed designers who have a track record like Christiane. And for Richloom, we would only consider a partner who could deliver something beyond what our studio can achieve. We knew we could do something special together with Christiane.

Q: Christiane, what is behind the name Lemieux et Cie?

Christiane: It’s French for Lemieux & Company, the European-inspired lifestyle brand that I founded two years ago. Evidence of the hand of the artist is really important to me.

Hannah: Christiane is not just a design connoisseur; she is also an entrepreneur. The Richloom studio is also an atelier—a creative space where we design and work on the scale, the layout, getting the hand just right.

Christiane Lemieux

Christiane Lemieux, Lemieux et Cie

Hannah Harvey

Hannah Harvey, Richloom

Q: Hannah, beyond your past experience working with Christiane, why do you think she chose Richloom as a design partner for this collection?

Hannah: There are not that many companies in the textile world that can do what Christiane wanted. She knew that Richloom could hit the ground running because of our long history with mills all over the world. For this collection, the solid textures and wovens are from India and Turkey; the prints come from the USA.

“Your home should tell the story profoundly of who you are. If you have that grounding of a beautiful home, you can create the rest of your life in a more thoughtful way.”

Christiane Lemieux

Q: Christiane, tell us about your extensive archive of vintage textile documents and fragments.

Christiane: I collect textiles the way some people collect art! I love textiles. My undergraduate degree is in art history, and then I went to Parsons School of Design in New York City for a design degree. I learned how to take inspiration from textile fragments and reinterpret the designs for modern usage.

Collection Fabrics

Multi-purpose prints and wovens for upholstery from the Lemieux et Cie collection in indigo and silver colorways.

Q: What is the design process for a collaborative effort such as this?

Christiane: As a starting point for this collection, I pulled in documents—some came from France, some came from apparel. Then our studio began creating designs by hand. Hannah also painted the print designs Mili and Ellie.

Hannah: Christiane is a design historian, and there is a language of design that we share. For example, we knew that the Luis tiger print would be important. It’s a motif in Tibetan rugs and is found in historic textiles in many forms.

We created a new environment for the tiger and placed him in a field of fantasy florals. The tiger is abstracted, with a flat graphic quality. We pulled the textured pattern from his body to create the Ellie print [below] that seems part zebra, part tiger.

Tiger in Floral Environment
Tiger Motif Luis
Floral Motif Ellie

Q: Most of the colors are muted, quieted with dusty hues. How did you develop the color palette for the collection?

Hannah: Christiane really thinks about the room. She understood what the consumer was responding to—the emergence of blush, the coming of ochre. These colors also marry well to wood tones, stone finishes and metals. She has an instinct and would say, “That’s chic!”

Fabric Swatches

Prints and patterns from the collection include Polina in Silver, Thread in Flax, Mitra in Linen and Tessa in Zinc.

“Christiane really thinks about the room. She doesn’t just pick colors. She has an instinct and would say, ‘That’s chic!’”

— Hannah Harvey

Christiane: This vintage palette is beautiful and calming. Our job is to provide a selection that inspires you and allows you to create your own interiors, to find sanctuary there.

Q: What is it about the Lemieux et Cie Collection that will have special appeal to Calico customers?

Hannah: In my experience, when a well-designed collection gets to Calico, the customer appreciates it and gets it. They love design and love pattern. They’re sophisticated consumers who want to be involved in the project.

Living Room with Lemieux et Cie

Live in your living room with performance fabrics! BROOKE FTR in Aegean is on the Monterey daybed with accent pillows of LOCH in Leather and TEMPEST in French Gray.

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